Installation view Gallery 1 (l-r) Raquel Ormella, 'Endless Potential series' 2018; Karl Wiebke, 'OTW series' 2003/2018; Rose Nolan, 'Constructed Works' 1994/1995. Photo by David Paterson.

Installation view Gallery 1 (l-r) Lynda Benglis, 'Roberta' 1974; Richard Tuttle, 'Releasing: Biologically Poor Endings, IV' 2016; Rose Nolan, 'White Constructed Work' 1995; Richard Tuttle, 'Pressing: Hole in the Head, VII' 2015-2016. Photo by David Paterson.

Installation view Gallery 1 Jacob Potter, 'Baby Vegas' 2018 & 'Trap Music' 2018. Photo by David Paterson.

Installation view Gallery 1 (l-r) Karl Wiebke, 'OTW series' 2003; Jacob Potter, 'Baby Vegas' 2018 & 'Trap Music' 2018. Photo by David Paterson.

Installation view Gallery 1 (l-r) Lynda Benglis, 'Roberta' 1974; Richard Tuttle, 'Releasing: Biologically Poor Endings, IV' 2016; Rose Nolan, 'White Constructed Work' 1995; Richard Tuttle, 'Pressing: Hole in the Head, VII' 2015-2016; Karl Wiebke, 'OTW series' 2003/2018. Photo by David Paterson.

Installation view Gallery 1 (l-r) Richard Tuttle, 'Separation (Group 4, Number 5)' 2015; Lynda Benglis, 'Roberta' 1974; Richard Tuttle, 'Releasing: Biologically Poor Endings, IV' 2016; Rose Nolan, 'White Constructed Work' 1995; Richard Tuttle, 'Pressing: Hole in the Head, VII' 2015-2016; Raquel Ormella, 'Endless Potential series' 2018. Photo by David Paterson.

Installation view Gallery 1 (l-r) Rose Nolan, 'Constructed Works' 1994/1995; Richard Tuttle, 'Releasing: Biologically Poor Endings, VIII' 2016 & 'Separation (Group 4, Number 5)' 2015. Photo by David Paterson.

Installation view Gallery 1 (l-r) Ti Parks, 'Acrylic fur with barbed wire' 1967-68; Karl Wiebke, 'Wood, linen, paint, hemp' 2009; Richard Tuttle, 'Pressing: Hole in the Head, VIII' 2015-16; Ti Parks, 'Banner' 1969. Photo by David Paterson.

Installation view Gallery 1 (l-r) Richard Tuttle, 'Pressing: Hole in the Head, VII' 2015-2016; Raquel Ormella, 'Endless Potential series' 2018; Ti Parks, 'Acrylic fur with barbed wire' 1967-68; Karl Wiebke, 'Wood, linen, paint, hemp' 2009; Richard Tuttle, 'Pressing: Hole in the Head, VIII' 2015-16. Photo by David Paterson.

Installation view Gallery 1 (l-r) Ti Parks, 'Banner' 1969; Peter Alwast, 'Distant Doggie' 2018, 'Looking Awry' 2017, 'Plumbers who work at night' 2018 & 'Meteorite Shower' 2018. Photo by David Paterson.

Installation view Gallery 1 (l-r) Richard Tuttle, 'Separation (Group 4, Number 5)' 2015 & 'Pressing: Hole in the Head, VII' 2015-2016; Raquel Ormella, 'Endless Potential series' 2018; Ti Parks, 'Acrylic fur with barbed wire' 1967-68. Photo by David Paterson.

Installation view Gallery 1 (l-r) Peter Alwast, 'Plumbers who work at night' 2018 & 'Meteorite Shower' 2018; Rose Nolan, 'Constructed Works' 1994/1995; Jacob Potter, 'Baby Vegas' 2018 & 'Trap Music' 2018; Richard Tuttle, 'Releasing: Biologically Poor Endings, VIII' 2016 & 'Separation (Group 4, Number 5)' 2015. Photo by David Paterson.

Installation view Gallery 2 (l-r) Richard Tuttle, 'Separation (Group 4, Number 3)' 2015; Raquel Ormella, 'These small and leftover pieces' 2017. Photo by David Paterson.

Installation view Gallery 2 (l-r) Robert Rauschenberg, 'Hoarfrost editions, Scrape, Scent & Pull' 1974. Photo by David Paterson.

Installation view Gallery 2 (l-r) Jacob Potter, 'Land before time' 2016; Richard Tuttle, 'Separation (Group 4, Number 3)' 2015. Photo by David Paterson.

Installation view Gallery 2 (l-r) Karl Wiebke, 'Off the Knife 1 & 2' 2014 & 'Ten thousand sheets of paper' 1974. Photo by David Paterson.

Installation view Gallery 1 (l-r) Peter Alwast, 'Distant Doggie' 2018; Jacob Potter, 'Fantasy Lane' 2018; Richard Tuttle, 'Pressing: Hole in the Head, VIII' 2015-16. Photo by David Paterson.

Installation view Gallery 3 Raquel Ormella, 'Strip Empty' 2018. Photo by David Paterson.

Installation view Gallery 3 Natasha Kidd, 'Overfill' 2016. Photo by David Paterson.

Installation view Gallery 3 Rose Nolan, 'Tunnel/Tent Work (reversed for one)' 2012. Photo by David Paterson.

Installation view Gallery 3 Merlin James, 'Untitled' 2009 & 'Work' 2012. Photo by David Paterson.

Installation view Gallery 3 (l-r) Natasha Kidd, 'Overfill' 2016; Merlin James 'Untitled' 2009 & 'Work' 2012. Photo by David Paterson.

Installation view Gallery 3 (l-r) Natasha Kidd, 'Overfill' 2016; Ti Parks, '1969 number two' 1969. Photo by David Paterson.

Installation view Gallery 1 (l-r) Karl Wiebke, 'Wood, linen, paint, hemp' 2009; Richard Tuttle, 'Pressing: Hole in the Head, VIII' 2015-16. Photo by David Paterson.

Installation view Gallery 1 (l-r) Richard Tuttle, 'Releasing: Biologically Poor Endings, IV' 2016; Rose Nolan, 'White Constructed Work' 1995; Richard Tuttle, 'Pressing: Hole in the Head, VII' 2015-2016; Raquel Ormella, 'Endless Potential series' 2018. Photo by David Paterson.

Installation view Gallery 2 (l-r) Karl Wiebke, 'Off the Knife 1 & 2' 2014 & 'Ten thousand sheets of paper' 1974; Jacob Potter, 'Land before time' 2016; Richard Tuttle, 'Separation (Group 4, Number 3)' 2015. Photo by Rob Little.

Installation view Gallery 3 (l-r) Merlin James 'Untitled' 2009 & 'Work' 2012; Raquel Ormella, 'Strip Empty' 2018; Rose Nolan, 'Tunnel/Tent Work (reversed for one)' 2012. Photo by Rob Little.

DRILL HALL GALLERY

PETER ALWAST / LYNDA BENGLIS / MERLIN JAMES / NATASHA KIDD / ROSE NOLAN / RAQUEL ORMELLA / TI PARKS / JACOB POTTER / ROBERT RAUSCHENBERG / RICHARD TUTTLE / KARL WIEBKE
CURATED BY ANTHONY OATES